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“... appeal. Where Sampson wants to make the ‘revolution as bloodless and manageable as possible’, John Saul is primarily concerned with its socialist outcome.* His account deals with familiar instances of repression and resistance, which he tends to romanticise as only foreign sympathisers can. It smacks of condescension when a tenured Toronto academic ...”

“... that Zimbabwe’s road to independence has been neither a carbon copy of Kenyan capitalism nor, as John Saul and Basil Davidson inferred in the late Seventies, an inferior version of Frelimo-style socialism in neighbouring Mozambique. According to Ranger, the disparaging depictions of Zanu and its military wing Zanla were based on unavoidable ...”

“... here might be that of Henry James. This is a surprise. It is a long time, forty years or so, since Saul Bellow abandoned the Flaubertian tradition and decided to break out, to let rip (‘I am an American ...’). The result was an extraordinary gain in vigour. What other novelist in our time has produced work to equal in sheer strength such books as The ...”

“... On​ his deathbed, Saul Bellow asked a question of himself that he might have asked at the time of his first novel and his first marriage: ‘Was I a man or a jerk?’ You could say it’s a good question for anyone to ask, especially someone who wrote 18 books and had five wives. Next to Norman Mailer, who did equally well on the spouse-mongering front, Bellow was a worker of slow, monkish application, always tied, seldom happily, to a university department, and agonising over a book ...”

“... and Pig Bodine (where the effect is slangy, jivey, cartoonish); at the other end of the scale, John Braine offers us Tom Metfield, Jack Royston, Jane Framsby (can these people really exist, in our minds or anywhere else, with such leadenly humdrum, such dead names?). Saul Bellow’s inventions are Dickensian in their ...”

“... When John Berryman’s first full-length collection of poems, The Dispossessed, was published in 1948, Yvor Winters wrote a notice of it for the Hudson Review. Here Winters drew attention to Berryman’s ‘disinclination to understand and discipline his emotions’, and went on to suggest: ‘Most of his poems appear to deal with a single all-inclusive topic: the desperate chaos, social, religious, philosophical and psychological, of modern life, and the corresponding chaos and desperation of John Berryman ...”

“... with self-concern, and we will often see this distinguished person most clearly in his letters. Saul Bellow knew the type very well and we meet one of them in the shape of Moses Herzog, the eponymous hero of Bellow’s sixth novel, a helpless, epistolary nutcase who yawps as if his nappies were as heavy as his brain. As long as I was Mady’s good ...”

“... and he needed almost no encouragement at all to play his queen-wasp act right to the limit: Oh, Saul Bellow is a nothing writer. He doesn’t exist. Tell me one book of Saul Bellow that’s in any way memorable, even a chapter that’s memorable. I’ve always liked ‘Henderson the Rain King’ for one. Oh ...”

“... small yet reliable magazine Antichrist. This Ravelston – some composite of Sir Richard Rees and John Middleton Murry – was a hedonistic yet guilt-ridden dilettante, good in a pinch, and soft on poets, but too easily embarrassed by brute exigence. Saul Bellow – who has already shown a vulnerability to exigent poets in ...”

“... In​ autumn 2000, the critic, memoirist and biographer James Atlas brought forth a Life of Saul Bellow that augured to be the literary event of the season, a crowning glory for author and subject. Bellow: A Biography was Atlas’s highly anticipated successor to his wunderkind biography of the brilliant, bedevilled Delmore Schwartz, whose combustible presence served as the inspiration for Von Humboldt Fleisher in Bellow’s Pulitzer Prize-winning novel Humboldt’s Gift ...”

“... honour. Three of the contributors do, however, engage Kermode’s thought in a fairly serious way: John Stokes, George Hunter and Patrick Parrinder. Two ways of doing so were possible. Either Kermode’s general view of the critic’s task or his ideas concerning specific texts or groups of texts could have been the focus of attention. Stokes and Hunter choose ...”

“... In 1964, Time published a profile of John Cheever which, in a sub-heading, described him as ‘The Monogamist’. Subsequent events have proved that not to have been the fact-checkers’ finest hour. In 1984, two years after his death, Susan Cheever published Home before Dark, a memoir which portrayed her father, whose public image was that of an impeccably upper-middle-class monogamist suburban WASP, as a promiscuously bisexual alcoholic ...”

“... them. Amis’s most obvious assets as a writer are his ear (‘When you’re writing,’ he told John Haffenden, in an exchange published in Novelists in Interview, ‘you run it through your mind until your tuning-fork is still’) and his energy. In the quoted paragraph, both are as they always were; the lines are also characteristic in the completeness ...”

“... by which time Pearce had a thriving practice of her own. She had also succumbed to the charisma of Saul Newton, who worked in the White Institute’s bursar’s office. Whether Newton’s intentions were noble even at the outset is open to question, but they were certainly backed by a formidable ego. ‘He just exuded power,’ his adopted daughter ...”

“... he never reappeared. This is only one of many ancient variants on the Paul theme. There was also Saul the Pharisee, the only Pharisee whose writings survive. There was Saul, the rigorous persecutor of the Jesus cult. There was Paul, the self-appointed apostle to the Gentiles, one among several such ascetic ...”